marseille-based producer grant returns to his self-released white label series with an ever more expansive ep of deep, rolling house. with a firm grasp for 80�s chicago and detroit house tased with 90�s deep house tropes, grant004 finds him on deepest ever form, with swirling luscious pads, snippet vocals and thudding percussion sinking us further down into the depths.

drum union is a new series documenting the different shades of leftfield house. london based tony nwachukwu (aka attica blues aka wah-chu-ku) provides a deep broken dub techno monster. manuel fischer presents a beat-driven disco-influenced track to make any dance-floor burn and mitsubishi galaxy, who are also known as jack pattern take us into a wavy trip to another dimension. look like rounds it up and is merging afro-cuban rhythms with modern electronica soundshapes. a journey wider and deeper than most of the average 4/4 business!

!! repress !! points new year, new concept: maceo plex locks down 2018 with a fabriclive mix and his new mutant series that sets out to explore the more mutated side of his signature cosmic techno further than ever before. similar to his conjure series in 2015, the new releases will reside across labels run by peers maceo respects and is inspired by, with some also featuring on his much loved ellum imprint. correspondant are proud to release the debut ep, mutant 1. three tracks deep, each version tells the same story from a different perspective, mutant disco tells it from the bassline�s point of view as a latent funk thumps with wry mischief, mutant dx shows things from melodic side with its rolling bulbous bass lead while mutant moog closes the ep by surging us even deeper into the stars with a crisp sinewy arpeggio that sucks us in and, like all card carrying mutants, refuses to let us go. time to mutate.

reptant joins salt mines for their second record, illusory. a teched out step into the sewers of acid, break-beat & deep house.

deep, sexy jams for the floor, you know the deal!

a freshly constructed something analog disk has landed on planet earth in good faith and with the target to shift emotions, bones and your interiors. join the overall thrilling tune of this 12? with open ears and it will flow neat-sticky through your ready made receivers directly into intuitive grounds with the purpose to move, amaze and captivate. the sounds on stephan laubners new something vinyl are raining down straight out of deep blue skies. its unusual approach is coming nice yet mind-boggling and will vibrate your inner corners as soon as youve spotted the musical language within these stl translated rills. experimental circuits entangled with friendly sick delightful noises are navigating the record grooves of this lovely vinyl from first touchdown, up to the loop driven never-ending eternal endings. its like a cat-eyed walk with your exclusive night vision goggles in well known districts, deep down to the center or your senses. stls patched up noise has been machined and operated solely with modular gear plot-wise, and also includes those infamous stl drum momentums and dirty dim trademark touch, that you can find nearly everywhere with his sound sculptures. something vinyl series 30 is ready now to broadcast from your turntables, in order to send out joy & sincere emotions. it will silently knock on your secret shelter with the best & positive intentions.

turkish ladies. female singers from turkey 1974 � 1988 is a first ever compilation of female music from turkey from 70s and 80s. sony music turkey and ladies on records deliver a compilation emerged from deep and profound listening to the message of turkish female singers. created from music archives of old turkish labels (elenor, türküola, sah plak) under licensing umbrella of sony music turkey, the compilation captures the broad diversity of music performed by turkish women.

(silk screen cover) ceili, a young man hailing from the bog deep down in ireland (a place only migrating birds have heard of - banagher) joins the otb family with his debut ep waiting. ceili started young, driving out sets alongside the best in and around dublin. recently he moved to london where he created his debut ep for otb records.

the strike team ep is the second in the trilogy of releases introducing the world to the sound of the stripper. the title track is a rare hybrid of modern day production and timeless influences transformed through the prism of 1990�s hardcore, jungle, and broken beat. you and your favorite dj like to close your sets with classic jungle tracks? well, the stripper is here with a monster for the middle of your set, pacing at a cool 128 bpm. following it is the hidden gem of the record, culture vulture: an impossible to pinpoint breakbeat laced melodic odyssey. similar to �consciousness proliferation� (back 2 93 mix) from sleeve-01, culture vulture takes you on a journey inspired by the irresistible grit and beauty of the early 1990�s sound from the city of coventry and producers like skanna and essence of aura. flipping the record to side 2, the stripper gives you an absolute burner of a techno track intended for the heaviest and sweatiest of social settings. the atmospheric pads are pointing to the producer�s undeniable rave influences and love for illegal parties around the world. the final track of the record is the stripper tying back the european influences with his unquestionable debt to the american midwest: melodic, deep, and irresistible. this is a physical release of a four track ep. it contains music tracks intended for social settings. suitable for dj sets of varying styles in the range of 125 - 135 bpm. the material presented here is also available digitally. all tracks produced, mixed, and stripped by stripper� using digital synthesizers and sequencers.

pacific coliseum lends his craft to church under new alias pc. euphoric biz on the a, with a deep snip on the b.

the last time we heard from jex, he was cruising dance floors with his 2015 slapper -studio e- on running back. three years later, jex returns with -bad timin vol. 1,- a four-tracker made for working djs on the newly christened bad timin label. ranging from the scorched-earth acid of -zone phased- to the melancholic deep of -fee wifi,- the ep has something for everyone--well, everyone who likes hanging out at dance clubs, that is!

the unstoppable most excellent unlimited charges ahead with the ninth in the heralded mr. k 45s edits series, with this latest edition the most intriguing to date. deep in danny krivit s voluminous collection is a 7-inch acetate rescued from the records left behind by master mixer and dj walter gibbons when he passed away in 1994. the mysterious plate, simply labeled -1, 2, 3,- was custom cut by gibbons for his personal use in the early 70s when he and a partner operated a service called melting pot sounds that provided one-off copies of otherwise unobtainable imports for nyc disc jocks. most of the 20-odd known releases on melting pot sounds have been identified, but the true provenance of -1, 2, 3- has remained elusive. the tune is a screaming, instrumental disco delight, with aggressive clavinet riffing broken up periodically by raunchy sax. for this most excellent unlimited issue, mr. k meticulously transferred his unique gibbons acetate and further intensified the already propulsive track with a few choice edits of his own. not to be outdone, the flip side focuses on a ferocious percussion break that has previously only been available on a very poor quality 12-inch single. -sweet summer suite- by love unlimited orchestra has long been noted for its intro, a concoction of conga, cowbell, cuica and cabasa that drives dancers wild with its relentless, intense groove underpinned by a booming bass slide. making its 7-inch debut here, the groove has been extended and teased as only a master could do, complimenting the a-side and creating a powerful dj weapon. as always, this most excellent unlimited single has been mastered and pressed to the highest standards with loud dj usage in mind, and will be available in extremely limited quantities

azzur owner, melokolektiv returns on galaktika with his first solo vinyl ep on the imprint where are you earth? a side brings three amazing original tracks to the table made of synthetic melodies, spacey beat and acid basslines. control the night and how to be drawn will, with no doubt, pleased the dancefloor while where are you earth presents something deeper and melancholic. on the b side, we are happy to welcome two of our all time favorite producers. first, langenberg, who offers us a sublime reinterpretation in the line of his deep and organic releases on liebedetail, drumpoet community and poker flat. then, uk legend mark e who delivers a functional, raw and hypnotic reinterpretation. definitely something which will please djs. timeless!

foxy red recordings is proud to announce their first vinyl release consisting of four deep & funky house tunes by titlez! if you re up for the warmth, depth, and feel of the classic house sounds of chicago � look no further! titlez s new ep delivers the goods while going for a diverse, organic, and eclectic production approach. you can expect punchy drums combined with live(ly) percussion samples, jazzy piano chords, and spacey pads, among other studio trickery.

new ep by le mad aka mad rey. 5 tracks ep, deep, phonk and ghetto af.

pépe is back on renascence for the 7th installment! futurepresent is directly aimed to the fuss that hyperspeed life creates, living in a world where information is so fast. if the record were a colour, it would be a confusingly deep green aquamarine, fresh and tonic like a gin! we re in space, but also inventing the wheel at the same time, as if we were living in a timeless state of mind.

the next offering on crosstown rebels comes from italian trio pastaboys, who gift us with a rhythmic and hypnotic three-parter. they invite the inimitable rebolledo to take on remix duties to complete this package. the ep is a trance-inducing affair. the trio lure us in with opener kolo kolo. its funky rhythm sets a precedent as its trance-inducing power builds layer upon layer into an intoxicating and hypnotic groove. abbassa is up next. heavy on the bass, with a sensuality that is palpable. the african vocal adds a tribal touch before the track tumbles into a crescendo of urgent synths. rebolledos version of abbassa is a more cosmic affair, staying true to his psychedelic inclinations and with an added a bass guitar groove. pastaboys have been releasing music since the dawn of the new millenium. they�ve showcased their tasteful and highly refined productions on imprints such as 83 west and defected. releases such as born again, body resonance, limit, hozho, deep musique prove that their music is timeless and that dance music is still a matter of groove and soul.

vienna-based producer sam irl popped up on our radar a couple of years ago following stellar releases on jazz & milk, but honestly we should have been paying far closer attention as this guy has been making the best crunchy, mpc-driven jazz-infused house music dating right back to 2006. ep�s for s3a�s sampling as an art and collaborative projects with patrick pulsinger and dusty have won him fans including gilles peterson (leading to a release on brownswood), mr scruff and session victim amongst many others. his live sets have also seen him perform at the hallowed grounds of panorama bar and sonar festival. for his debut ep here on freerange sam has delivered four tracks which perfectly showcase his production skills and knowledge of what makes a dance floor tick, kicking off with title track rain technique. quirky keys and a playful groove help build a warm and charming vibe, light and bouncy yet deep and driving enough to get your dance on to. trust follows with loping, lopsided percussion forming the basis of the groove, sparse rhodes pads punctuating the beat and adding just the right musical element to the mix without cluttering the beats or compromising the sense of space. flipping over we have all thats left which sees sam utilising his trusted tr606 for some lovely snappy snares and sizzling hihats. chiming arpeggios join the repeating chord riff creating another simple yet uplifting and playful mood which cant fail to get under your skin. closing the ep we have a wonky, shuffling house track which once again shows sam proving less is more, sampling his key elements into the mpc and jamming out the arrangement in a live and improvised way which brings a fresh, somewhat naive appeal to the production.

after a quiet year jan hendez is back with new textures for this 4th output on lumbago�s imprint. this release, built around different construction and moods, welcomes 3 originals and a clever equation of those joints by the infamous professor le loup. welcome in the geeky cave! a1 is composed of strong, deep basslines that melts with beautiful synths and twisted rhythms that will bring you directly to space. a2 jan hendez achieve a really interesting mix of his influences with a track that we have difficulties to categorize, breakbeat oriented, also electro, but with his minimal touch. ravy and deep. b1 is the more housy oriented, a great tool for djs with a good drop of acid on the middle. b2, le loup used elements of the three originals to mastermind a clever track between minimal house, and electro.

flexure is a collaboration between jamie behan & stephen mahoney. both have been djing since the mid-�90s, but &#8203,,flexure&#8203,, is a relatively new hardware-based project that sounds like a mashup of techno, acid, electro and chicago house. in orbit is &#8203,,flexure&#8203,,�s second ep, a collection of unhinged machine bangers. orbit is the a side, a smash of a stomper, massive claps and a wild hook with vocals swirling claiming orbit as a peak time destroyer. b side contains computers, a floor filler with a massive acid hook, total dancefloor killer. next is opioid a deep growler mof a track that is sure to find its� way into a multitude of sets.

limited edition black vinyl 300 copies...
ryuji takeuchi provides instruments of discipline with an ep of noisy, hypnotic tracks, ranging from giddy, stomping, left-field techno to melancholic ambience, the ep�s title �one�s sentiment� provides a thoughtful angle to this at times cacophonous collection, for while they are bristling with noise there is something contemplative about the pieces, expressed in a way that suggests more than one thought trying to take life at the same moment, ryuji finds space for conflicting voices both spatially and in terms of mood, the first three tracks, �ambivalence�, �sadness� & �sorrow� crawl with competing elements, synth lines drool over and meld with throbbing kick patterns, anxiety & excitement are tightly wound in focus as tracks build and develop, leaving the listener to navigate these abstract planes, intoxicated, while the final track �regret� is a compelling piece of noisy, ambient minimalism that allows for an austere pause after the eruption of the initial works. it becomes evident that ryuji�s journey as a producer, through periods of hard-techno, deep-minimalism and the more abrasive ventures on huehelix, has created a powerful and nuanced voice that is fully on display in �one�s sentiment�.

as a polychrome composer, laurent perrier is developing his work through a large number of projects which, although they often share many common points, are all built on a strong identity. thus, zonk t has always been a way of exploring the most ambient fringes of dub, and the transition from the all-digital to compositions made entirely on modular synthesizers has overall not changed its approach in depth. yet, banburismus, whose unlikely title comes from the crypto-analytical process developed by alan turing during the second world war, begins by taking us by surprise with a long luminescent drone that seems to rise endlessly before dissolving little by little in a wall of echoes, glitches and distorted voices then make way to round and deep basses disturbed by metal peaks on which float distant blips, like farway echoes of the secret messages decoded by turing. real master stroke, this track occupying the first face of the lp is a trip in an ether much more populated than it seems. shorter, the three pieces of the b side participate in the same atmosphere, but still extend the sonic field. more stripped, more airy, more cosmic, banburismus achieves there new heights with ease. we could be tempted to play the game of references and try to put zonk t somewhere amongst the great experimenters of electronic dub. but who cares,, banburismus is well beyond categories, and laurent perrier, by cracking the code, opens for us the doors of a universe of disturbing and fascinating vastness.

lumberjacks in hell welcomes deep house vet andy compton and shamrock for a trip into plush disco, laid back funk and more besides. bunny chow was reportedly recorded in south africa, and features the vocal talents of asli on a number of the tracks. you can certainly hear the afro influence creeping into the simmering groove of the title track, while aslis vocals shine through the clearest on the downtempo tones of everything is gravy. nifanyeje is another warm trip through afro disco replete with noodling guitar lines and a crisp drum machine beat, while roga mziki ends the record on a high note with a final blast of that infectious, sunkissed sound the pair have clearly mastered on their musical adventure

georgian producer hamatsuki appeared on gasp last year with the uncertain loops cassette release, but makes his vinyl debut on this damn fine 12- for the recently minted sensu label. -remember- is a rich, undulating swirl of deep house laden with melancholic pads, while -rett- sports a sunnier tone for its own arsenal of soft, rounded synth tones. dj sports comes on board for a remix of -rett- that plays with said synths and creates springy, computer jazz melodic threads out of them. -inexplainable inner sadness- completes the set with another trip into warm, chicago-indebted house tones for the introspective dancer.

dj deep and roman poncet first launched their collaborative project sergie rezza back in 2015 on desire records, and now the project makes a welcome return with another dose of utterly stellar deep house concoctions that go beyond the average while maintaining a sense of classicism about them. -envole- is a sumptuous blend of snaking rhythm, spacious pads and cosy keys, all draped in exotic garms that make this a transcendental house cut to treasure. there are also more adventurous trips into percussive territory on the focused and deadly -le reveil,- crafty jazz diversions to be soaked up on -max- and poised ambient pieces -eclipse- and -procession- to seal the deal.

das darkwave elektronik-duo boy harsher aus northampton, massachusetts, startet sein eigenes label nude club!

parisian veteran dj deep and romain poncet (well known for his traumer allias) released their first sergie rezza album on desire records in 2015, the album received heavy support from dixon, laurent garnier, hunee, antal to name a few. they now decided to start sergie rezza s own imprint. sergie rezzas sound is heavilly influenced by ambient, electronica, dub, jazz, industrial, funk, and also techno and house roots.

schwarzes doppelvinyl im klappcover, downloadcode inklusive.
vor mehr als einer dekade erschien das großartige debütalbum -attack decay sustain release- des englischen duos simian mobile disco auf wichita recordings. für ihr fünftes album mit dem titel -murmurations- haben sich die beiden das schwarmverhalten (auf englisch -murmurations-) von vögeln als vorlage genommen und zusammen mit den sängerinnen des londoner deep throat choir (bella union) ein besonderes klangkonzept entwickelt. nahezu unheimliche soundstrukturen steigen aus einem meer an stimmern empor und bilden ungewöhnliche wie komplexe akkorde und harmonien. das bedeutet jedoch nicht, dass das album avantgardistisch oder schwierig ist. vielmehr vermischen sich die stimmexperimente perfekt mit den bekannten techno/dancefloor-beats des duos.

sold out - beste modus vol.8 features more bangin deep house music , this time from diego krause , stevn.aint.leavn, cinthie, ed herbst, albert vogt & porter

aus music follow up a string of exclusive releases from primitive trust with tee mango (one half of pt) having released on clone in 2017 tee mango comes back to aus for his second ep in as many years. ep#2 carries forth much of the the same classiness hes well know for. a side �come a little closer samples a personal favourite make it last forever by inner life which is paired with playful drum rhythms and smooth rhodes chords. prototypical opts for punchy drums and a swinging bass, a track that would work as well peak time as it would warming up. wazoo rounds off the perectly balanced ep a deep cruiser with a pinch of acid.

austrian imprint luv shack records is opening up yet another chapter in 2018 by welcoming irish house and techno aficionado and misfit resident andrew johnston aka moodtrax and his own-brand of super warm and brooding sound to their stable. the perfect illusion ep opens up with never can get away, a steamy & dreamy cut that sucks you right in to its lair of thick pads and trancy sequences, which are contrasted by a carefully programmed synth bassline and a stomping house beat. the title track immediately evokes early chicago warehouse jam feelings, with bass sequence, detuned chords and classic drum patterns all oozing of old analogue roland machines. the meticulously arranged percussions section and a set of eerie strings and pads make this one definitely stand out from the crowd. running number starts as a no-nonsense house track, carried by a beefy unisono bassline and a 16th note heavy drum pattern, yet it transcends into 80s territory with the help of a deeply emotional chord progression that might just make you forget you re in a club. berlin duo longhair give running number the luvremix treatment, really digging deep into that chord progression and building a melody and synth-bell infused italo-house track around it that should make this years festival crowd weep and rejoice alike.

doug cooney has cultivated his knowledge of techno over many years. doug�s passion for this craft runs deep and his dj sets span the full spectrum of techno, past and present. his style and attention to detail have earned him warm up sets for many of his techno heroes, with dave clarke, uvb and abstract division being recent highlights. as well as being a mutate resident, he also plays regular headline slots in dublin�s biggest venues & has played several gigs abroad taking a trip to berlin�s arena club last year featuring on the same line up as adam x & the dystopian record labels jon hester.

rofirst volume with lorenzo - get deep (rosboulltd07), joss moog - forever pimpin (robsoul50) & phil weeks � hypnose (robsoul07) what else?

amir alexanders 2nd full lp lands, this time on the powerhouse of just jack recordings providing a journey through techno, acid and house. from the space-age melodies and overdriven synths of lemmings off a cliff!, to the pounding acid & infamous my house vocal on in the beginning!, the lp starts with a bang. halfway through the broken beat and blippy rude boy! stands out, along with the big room gospel house gold of blessed are the meek! weep not! takes it full circle matching a similar distorted bass to the opener with some exquisite synth work. no wonder all the titles have exclamation marks this is 8 tracks of serious tackle!

the man, the maestro, the mystery the cube! thats right, you read that correctly, new music from the mind of one of europe s freshest, not just one record, but two. at the same time. right here. versatile s main man (alongside monsieur gilb r) returns to the fray with a hotly anticipated set of tracks that will surely stand alone in their uniqueness, but if you re reading this then you already know that. i:cube has been busy, and he s keen to share the fruits of his labour with lucky us on this, the 120th release on versatile. the sounds here are diverse, impeccably mixed, arranged and selected by the man himself and will surely find their way into the ears and minds of those who come into close contact effortlessly. from the lost world dreamy trance of the first track flutes souterraines to the acid indigestion inducing fingering of the troglo dance, to the deep cavernous bass-line creepings of ramurc this collection of six stellar cuts is a stunning return to form and a perfect example of why i:cube should be regarded as one of the legends!

released on trax in the golden year of 1989 chicago s virgo aka friends eric lewis and merwyn sanders, along with peers such as larry heard and frankie knuckles, gently pushed house music towards a more musically sophisticated realm that hadn t been explored previously. across 8 tracks virgo took us on a deep exploration of sound that was both masterfully arranged and produced and in direct contrast to a lot of the rudimental and jacking drum tracks that were the flavour of the day. there are few debut albums in the electronic sphere that can claim the title of classic , but this is surely one of them. a defining turning point in dance music, the dawn of what would later be referred to as the deep house movement and sound is all evident with the grooves of this legendary record. often listed as one of the greatest lp s of all time , this self-titled odyssey remains an essential, must have record that never loses it s magic, flawless in every way and still trailblazing today. every home should have one. remastered in conjunction with trax, repressed from the finest audio sources available. often imitated, never replicated! 100% legit.

after recent outings from the likes of felix leifur and tlim shug, frits wentink is back on his own bobby donny label. his previous releases have been solo affairs but this time he is in collaboration with tristan hallis aka dj boring. the origins of london based dj & producer lie in australia, where he was raised and cultured amongst some of the most interesting musical phenomena of the 21st century a1 is an inventive tune with bristling drums and break beats run through with warped vocals, razor sharp hi hats and mellow padts deep but dynamic and will get you on your toes. b1 then chops up more trippy vocal samples and curious synth sounds with elastic, pinging kick drums and makes for something woozy yet groovy and full of intrigue. last but not least, b2 channels classic deep house vibes with balmy pads, garage style percussion and more slick drum work that really brings something fresh. this is a trio of cuts that bring the best out of each producer and results in truly original music.

the finnish tropical troupe maajo is back with a two-track ep. in contrast to the afro-balearic sound of their 2016 debut tropic of tulli, the new defo / mansaba ep is a step in a deeper and sometimes darker direction. defo kicks off the ep with a driving 5/4 rhythm. reminiscent of mark ernestus� ndagga sounds, it is a tribal tune with maajo�s signature ethereal disco elements. trevor deep jr.�s version straightens out the original�s unconventional time signature and focuses on a four-to-four beat and plenty of berliner dub. the remix is a solid dancefloor tool, traversing the original like a train making its way through a dark rainforest. the b-side is entirely covered by mansaba, a 14-minute long journey into inwards. this studio jam, recorded largely live, is a wild mixture of polyrhythmic sequences, krautrock guitar licks, equatorial forest percussion and violin synths. the trip starts slow and soothing, sneakily picks up pace and keeps grow and growing, eventually exploding into a full-on tribal dance.

following on from otis002 jon & hugh - another view, one half of the production duo and otis label boss hugh b steps out on his own for otis003. floating on a trippy biscuit is a 4 track excursion through deep textures, roaming drum machines, sliced breaks and dub echoes. with a nod to early jungle duos (rip), a psychedelic love letter to uk broken beat, a remix from otis family member sean thomas that pays respect to the uk deep scene of the late 90s and a deep, valium-laced house groove designed for post-rave reflection. otis003 is a dreamy meditation amidst the occasional chaos of the rave, a blissful trip through the styles of dance music this label holds dear. early support from: ben fester, simon caldwell, adi toohey and a load of other selectors that are keeping it deep in twenty seventeen

dropping on rekids this may, butch remixes good luck - basement jaxxs ubiquitous 2004 single featuring lisa kekaula. appearing on kish kash, basement jaxxs third studio album, the unforgettable single was nominated for a grammy in the best dance recordings category and also reached number 12 on the uk singles chart and number 2 on hot dance club play in the us. good luck also featured as the opening theme of 2004 anime movie appleseed, victoria�s secret fashion show in 2003 and 2005, and a version without lyrics was used for the opening sequence of bbc�s uefa euro 2004. real name bu&#776,,,lent gu&#776,,,rler, german producer butch has been a formidable force within house and techno for over two decades, enchanting crowds from all across the globe with his technical performances. highly regarded for producing compelling grooves, his releases have appeared on labels like desolat, cocoon, rekids and sei es drum, not to mention collaborating alongside virginia, c. vogt and ricardo villalobos (as butric). receiving regular early support from villalobos, butch has provided three different renditions of good luck and the remix is a rhythmic roller from the off, featuring numerous elements from the original whilst generating a cacophony of percussion as kekaula�s iconic voice is chopped and looped � the result is highoctane and geared for the dancefloor. the dub strips things back, purely using segments of the vocal for instrumental purposes as a whirring bassline joins deep synths and mesmerising effects. tying it all together, the drum tool is a high-tempo percussive cut produced for peaktime dj sets

with its third release, hundert is diving further into the technological maelstrom that has slowly transformed our perception of reality and what this thing called life is. dj oks private messages poses some crucial questions about how we find, form and maintain relationships in our day in age. fittingly, its sound was forged seemingly everywhere and nowhere at once: classic new york-leaning deep house vibes meet uk-inspired gunshot sounds and the frantic grooves of contemporary outernational club music, balearic feels converge with the slick sound palette of our digital environments. private messages is as immersive as an ever-refreshing newsfeed, but just as emotional and real as the next person checking in on you via imessage. dj ja and dj neins third effort can be as much enjoyed in the sweat-drenched physicality of a crammed club as it may serve as the perfect soundtrack for when you are home alone, connected with the entire world via a dimly-lit interface. these four tracks will touch your heart like a spectre attack would infiltrate the device you are using right now. and you know that it is unpatchable. all hardware problems are.

following two previous appearances on the -contemporary dance- and -quiet eye- compilations the elusive lyubocha makes their first full ep release through black opal. -noblask- opens proceedings and instantly energises with a bass heavy acid jam, sitting on a simple motif and crunching away into the dance.-berzerk- pushes with a slow burning, deep and dubby tech sliced open by red hot hats. -nenavist- proffers a floral counterpoint to the earlier acid, bejewelled back drops host a perfectly wonked 303 line popping off to the horizon. closing track -nikogda- rolls re-pitched kalimba/xylo styles into a ball and jacks it against the wall, hard. simplicity is a powerful tool when used correctly. lyubocha nails a warm, lo-fi techno minimalism on this debut release.

pia-pia-pian-oh my god this one has some lush keys. four groove-laden deep house cuts come straight out of paris for the third release on feelings worldwide.
following two eps from kasra v and keith lorraine with enormous remixes from dream 2 science and jovonn respectively, the feelings crew deliver some white label material this time around with the inaugural ep from larry houl.
the multi-instrumentalist and vocalist, delivers his first solo release with four tasty machine tracks with some heavy synth work covering a full spectrum of dance floor moments. from balearic lifters and soulful electronic jams to hard hitting detroit pacers and dark room after party moments, there are flavours for all on this debut.

superhuit music presents boogymann�s 7th concept album: boogymann & friends. boogymann & friends is an eight track concept album comprised of two parts: with remixes from the original album delight and other previously unreleased tracks that are best described as strong funky house music. the two eps combine influences ranging from deep to disco sounds of the elite level world renowned house producers such as: gene king, james duncan, manoo, david duriez, rocco, dan electro and boogymann himself. after six albums, teo -boogymann- moritz returns with this concept album and once again showcases his status as one of the greatest dj/producers for the global house dancefloors.

300 copies vinyl only release, fresh off the presses. get �em while they�re hot.

superhuit music presents boogymann�s 7th concept album: boogymann & friends. boogymann & friends is an eight track concept album comprised of two parts: with remixes from the original album delight and other previously unreleased tracks that are best described as strong funky house music. the two eps combine influences ranging from deep to disco sounds of the elite level world renowned house producers such as: gene king, james duncan, manoo, david duriez, rocco, dan electro and boogymann himself. after six albums, teo -boogymann- moritz returns with this concept album and once again showcases his status as one of the greatest dj/producers for the global house dancefloors.

deep, soulful and techy treats by maestro eric ericksson. eric has been releasing his music since the early nineties on labels like fragile and planet e. in resent times eric�s music can also be found on papa records, local talk and freerange, to name a few. an elegant four tracker that starts out with the uncompromising and crude track �greed�, followed by �acquiescence� with its sharp and classy shuffles, lush strings and big sounding pads. the flip side starts of with �totality�. complete, raw sounding with morphing dubby stabs, combined with rough grooves and punching beats. the ep ends off with the pulsating, dreamy and sensitive track �closure�. nothing is left by chance when eric shows his vision and approach for modern electronic music.

around 6 months after the success of the first lateral fragments vinyl, pjotr g & dubiosity return for part two. they continue where they left off, serving some deep, melodic vibes on tabula rasa and outage. with turmoil, the duo takes a bit of a different approach. the warm synths make way for some more hypnotic, raw vibes. petter b delivers a truly grand remix for turmoil, which is as fitting to lateral fragments as it is to your sets.

an artist as versatile as alex krüger is a rare find these days, not only did he release numerous eps and albums as tigerskin or korsakow since the mid 90s, hes also been on the forefront of the dub techno movement since 1999 with outings on classic labels such as raum�musik, force tracks and 3b/ united states of mars. now ten years after his last album on opossum recordings alex is back with this well crafted genre bending full length caves & cages. from deep techno cuts through rippling ambient excursions to funky reggae infused live jams with haushausen this work is yet another milestone in the creative bubble alex lives in (i.e. his studio)